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One by One, by Phil Tucker
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For Peter, the end of civilization begins quietly with the disappearance of his mother. At the police station he learns that thousands of others have gone mysteriously missing overnight, and that tens of millions more are vanishing daily across the globe. Without explanation humanity finds itself facing its final year on the planet, and it is only then that Peter falls in love.
Her name is Sophia, and though both are haunted by loss they find in each other a passion that is as real as it is worth fighting for. As the government buckles and then collapses, as the darkest registers of human nature are sounded and a brutal demagogue rises to lead a reign of terror, they strive to find meaning and purpose in a world that is bereft of all certainties but one: that they too are fated to disappear.
[Consider reading the sample before purchasing - One by One is written in a very different style from my other novels]
About the Author
Phil Tucker is the author of five novels:
- Vampire Miami: An urban fantasy set in the broken heart of vampire-ruled Miami
- Crude Sunlight: A tale of psychological horror and ancient evil
- Throne: A war of the fae in the streets of NYC
- One by One: A post-apocalyptic love story
- The Grind Show: High octane demon hunting across the Mojave Desert
Praise for Phil Tucker's VAMPIRE MIAMI
"Seriously, this book kept me on the edge of my seat from the beginning. It dug its claws in deep and hung on until the bitter end." On A Book Bender
Praise for Phil Tucker's CRUDE SUNLIGHT
"...fantastic atmosphere that sends shivers down the spine." - Marrisa Farrar, author of theSerenity series
"This story is gonna scare the crap out of you." - Novel Opinion
"Taking his readers from the slums of early New York to modern day, and to the very pit of hell, Tucker weaves a tale that pulls no punches and lands each and every one." - James Garcia Jr., author of Dance on Fire
- Sales Rank: #7585608 in Books
- Published on: 2012-03-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .48" w x 6.00" l, .64 pounds
- Binding: Paperback
- 212 pages
Most helpful customer reviews
12 of 12 people found the following review helpful.
interesting take on the post-apocalyptic scenario
By Jamie Dorn
One By One is the story of an unexplained wave of disappearances, and the social breakdown that swiftly follows.
The novel follows the misfortunes of a young freelance writer, Peter, when his cancer-stricken mother is among the first to disappear. At the police station, he meets a beautiful young woman, Sophia, who is there to report her little brother missing.
And then it gets worse.
Tucker's prose is at times so beautiful that it nearly made me cry. His description of the city throughout the stages of this disaster is genius. The transition in Peter, also, from loner to survivor was wrenching. Those were the passages I enjoyed the most, were the ones that simply described what was happening to the world while Peter watched.
As a writer, Tucker's gift lies in his diction and pacing. The man knows how to write prose, and there are moments of genuine humor and warmth between Peter and other people that gave him the motivation to keep going. The ending, without giving it away, was brilliant, and the lack of explanation for what the hell was going on was strangely satisfying. I just wish the characters had talked less.
No one is given a name beyond Peter and Sophia, and everyone speaks in a manner that I can only describe as clinically enlightened. Nearly every observation they make, whether it's about what they're having for dinner or how they feel about the fact that they might be the next person to disappear, they make with such cold precision that I found it distracting after a while.
While the novel works as an allegory for the insulation, infatuation, and inevitable breakdown that comes from falling in love, and does a superb job of examining the numbness and fear and uncertainty that comes along with accepting human mortality, I wondered if the dystopia hadn't been established prior to all of the disappearances, if Tucker hadn't built a world where everyone was burnt-out and disillusioned, and it took a catastrophe of world-ending proportions to invoke genuine emotion in these people.
The Grind Show has been bumped up on my to-read list.
11 of 11 people found the following review helpful.
I'm not sure exactly how to rate this book
By Lauren E. Pomerantz
I'm a re-reader. If I like a book, I will read it over and over. I've read Connie Willis's Passage, Bellwether, and To Say Nothing of the Dog at least a half-dozen times each. Ditto Bill Bryson's A Walk in the Woods, Neil Gaiman's Neverwhere, Chris Crutcher's Whale Talk, many of the early Koontz, and I've forgotten how many times I've read Robert Heinlein's books.
So it's hard for me to recommend a book I know I will never read again. But I enjoyed it, mostly. So.... **[Please see end]
First of all, the premise is fascinating. Most apocalyptic fiction has a definite reason behind it. Maybe it's a virus or drug that turns people into zombies or prevents people from reproducing, as in Children of Men. Maybe it's a war, as in Farnham's Freehold or Pulling Through. Maybe it's an asteroid impact or an alien invasion. And almost always there's something that can be done. There are bomb shelters and guarded compounds and astronauts who sacrifice their lives; there are brave humans carrying on; or even miraculous spontaneous recoveries. Even the movie Knowing didn't have the guts to end all life on Earth. But Phil Tucker does. Once people start disappearing, there is no cause ever discovered, and no reprieve.
And the writing is wonderful. When I started, Tucker's descriptive prose felt a little heavy handed. I've been reading a lot of YA stuff and lighter fare lately, and I wasn't prepared for what felt like long-winded verbosity. But as the book progressed and I adapted, it was fantastic. I loved it. And I think he's the only person who uses a form of "susserate" besides Koontz.
I loved the characters. I really felt for them. I got wrapped up in their fear and their resignation and their love and their anger. And up until maybe 10 pages before the end, I would say that this book was one that I would read and re-read every year or so to re-experience the emotions that it engendered.
The one thing I didn't like was the way the characters sometimes spoke to each other. It was too analytical. It felt like a discussion in the English literature department by a group of PhDs on the deconstruction on post-modern something-or-other. It didn't feel natural. It reminded me a lot of some of the dialogue in Asimov's Foundation trilogy. But maybe this is how people talk when they don't have anything else to do except contemplate their own mortality.
___
**When I originally wrote this review, I commented that the ending had seriously disturbed me, leading me to say that while I enjoyed reading it, I would not be able to re-read it and had severe trepidation about recommending it to others.
Since that time (mere hours ago) I have been contacted by the author, who had realized exactly what had disturbed me and said that it had been unintentional. He was also bothered by the event, to the point that he has edited the book. I have not yet downloaded the changed work, but based on his assurances, I now wholeheartedly recommend this book.
8 of 9 people found the following review helpful.
Terrible ending
By A. Jordan
I wanted to like this book. The story line is pretty original and I kept reading to find out why people were disappearing. After a while, the story rambles on and I found myself skipping paragraphs and eventually pages at a time just trying to get through it. As another reviewer mentioned, the dialog is unnatural. The characters speak in large words and they all sound the same. I consider myself an intelligent person and I found myself having to look up words because I'd never seen them before. Anyway, the ending was a disappointment. I won't spoil the book but to me, the ending didn't resolve anything. Sorry to be so negative but I just didn't care for this book.
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